#525 Après le bal

In more modern times it would
be My Fair Lady. “I could have
danced all night, & still come back
for more.” Or maybe not. Naked
on a bed, asleep. Not so much a
bed but a plinth. & she obviously 
worn out, comfort not a consider-
ation. & the curtain that partitions 
now from before drawn back to 
reveal a destruction that has not
necessarily paused, houses on their 
sides, the floor of the room, the out-
side, those hills beyond, all cracked
beyond repair, bilboquets run amok, 
fallen into the grass or still flying 
around. But this is back then, back 
when the phonograph was barely 
invented, & she no untouched Aphro-
dite but fully formed, fully conscious — 
though unconscious — of her surrounds. 
No seashore, no halfshell, no cherubs, 
just somewhere offstage a disenchanted
Pygmalion translating some sheet 
music to an upright piano & singing 
to himself the before of it. “Down fell 
the glass dear, broken, that's all,
just as my heart was after the ball.”

#524 Tête d’homme (1920)

There is always a
before, he said, but
let your imagination

shape what comes
after, even if you had-
n’t planned a head.

#523 The Boys' Club

"This is the inner circle of the Paris Surrealists
arranged around the outer perimeter
in straight lines"

(top row)
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(second row)
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(third row)
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(fourth row)
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(fifth row)
Jean paul d'hondt. What happened on december 27 2002! Iran nuclear sites bbc ... Caupenne landes, Cuore selvaggio puntata 052 di 160, Fleissiger max, Skinny ...

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Participants: Maxime Moses Alexandre, Louis Aragon, André Breton, Luis Buñuel, Jean Caupenne, Paul Éluard, Marcel Fourrier, René Magritte, Albert Valentin, André Thirion, Yves Tanguy, Georges Sadoul, Paul Nougé, Camille Goemans, Max Ernst, & Salvador Dali
Photographs by Man Ray
Collage by André Breton
Central artwork by René Magritte : Je ne vois pas la [femme] cachée dans la foret (I do not see the [woman] hidden in the forest)
Created for La Révolution Surréaliste, no.12; 15 December, 1929

“It's the cuckoo egg placed in the nest (the lost clutch)
      with the complicity of René Magritte”
— André Breton