Wednesday, March 31, 2004

#25 Intermission

Peace
is popularly
supposed to be

the
period between
two wars. Let's

hope
then that
the actions of

those
who invaded
Iraq or blew

up
Atocha Station
were parts of

the
final act
of a tragedy

&
not part
of the intermission.



Thursday, March 25, 2004

#24 The Flavor of Tears


I am a plant
with new growth
said the bird

I am
the underside of
the caterpillar who feeds
on me

I eat myself
It is exquisite agony

I taste my tears
as the caterpillar
eats them

Their memory
is etched
in my green flesh

(When the caterpillar
has fed enough
it will
metamorphose into a butterfly

I will go back
to being a bird

Someday I'll see it
when we're both out flying

Swoop down beneath it
Turn over in the air
Let it rest on my abdomen
for the time it takes
to remember me

Then I will eat it

I will taste its tears

They will taste like mine)

Sunday, March 21, 2004

#23 The Son of Man (1)

Does this apple obey
the laws of gravity
& fall at thirty-two feet
per second per second?

Does time move slower
in the reality of an unreal
landscape? Do objects
invent their own velocity?

Will the man take off
his bowler hat in time
to catch it? Will the hat
withstand the impact?

Why assume the apple is
dropping? Why not movement
in another direction. What if
it's the man who is moving?

What makes us think there is
activity? Couldn't this
moment of apparent intersection
really be an eternity of stasis?

If we know the questions then
why concern ourselves with
answers? & if we know the answers
why be concerned at all?

Isn't the painting reality enough?

#22 In Praise of Dialectics


He tried to
take over the discussion
by stating that the
principles of dialectical materialism
gave life to what might
otherwise have been un-
realized revolutions in
several former
European colonies. It was
a successful coup
but no-one stayed around
to acknowledge it. They
left through the window
& entered the house inside.



#21 Golconda


An image such as this
might have been
what the Poynter Sisters
had in mind when they
sang It's raining men,
Hallelujah
. Or maybe
it was that other song
of theirs called - was it? -
Creole Lady Marmalade
with its refrain of
voulez-vous couchez avec
moi, ce soir
; & they
were working on the principle
that if you ask enough people
sooner or later some body's
bound to come across
even if it is only
an anonymous Mr Average
in a mass-produced bowler hat.

 
 

#20 On Apples


Once made
the comment that
Magritte would have been
better off if
he'd done
a de Chirico
& reinvented himself by
replicating his own
paintings. He
must have
been listening.

In 1952






& 1953






& 1958.


Only the landscape
is changed

(only
the landscape
never
changes.

#19 The Listening Room



An apple
on the table
is no threat; but
walk into a room
to find it
filled by a
giant apple.....

*

Had gone
to write "the apple
peers out the
window." Wrote
"pears" instead. A
slight tectonic drift
of associated words
done accidently &
unconsciously.

*

Magritte's
placement of objects is
deliberate, is earth-
quake territory. The
displacement of space
by things that should
not be there
but are seemingly
quite at home.

*

Maldoror in whom I dream apples.

*

Only a painter
could place
this giant object
in a space where
the entry
place & space
is so small.

*

Cliffs, chasms. A
precipice pre-
cipitated by the
unexpected. It is why
even in the light
we fear closed doors
& rooms that
may not be empty.

*

How large the tree?
Who picked the apple?

*

There are no
eyes. How then to
tell in
what direction
it is facing. The
apple appears
to be looking
out the window. Small
wordplay. All
the room
that's left to
manouevre
in. There
are no ears.

*

What is it
listening for?

#18 The Magic Mirror (1)



Is this an
ontological defence? Use
abstract name for
final output
rather than focus
on what concrete instants
made it up. If it's
ended this way
then you probably didn't
see them on the way through
anyway. Therefore not real. So
turn away. Turn out
the light not
caring if the
darkness remaining
in the mirror in
the room just left
is resident or reflection; or
refr/action of what else
was written there.


#17 The Secret Player


for Jukka-Pekka Kervinen
Master Class in that
a group of us
are brought together
& once we've finished
demonstrating our skills
are then shown
how it should be
done. Jukka as ice-white
tennis pro, serving up aces
while we watch on
amazed at the ease
with which he works the
court. Ice-blue, ice
as prism through which re-
flects/refracts all
colours, through which
neutrino words pass
to form ice crystals
sharp as stone, light as
lattice. Secret player
in that I have slim
sense of him outside
his poems, in that
the game he plays is far
beyond that which
the rest of us call tennis.

#16 The Acrobat's Exercises

The random actions
of the acrobats &
the precision
of the clowns
contrast to create
a tension
which the ringmaster increases
when he rides into it
on a white horse
cracking his whip
& surrounded by
elegant assistants.

Such momentum.
Yet the progress
of the circus parade
is still dictated
by the pace
of the elephants
& the amount of shit
they leave behind.

#15 from The Cicerone


To end
a solar eclipse
the priests take a
young boy who has
fewer than ten
gold tokens
on the wall
of his family home,
wash him with water
from their private spring
& clothe him
in unbleached linen
which is
woven from flax
harvested near the sea.

He is given peyote.
He is laid on the altar.
He stares at the sun with dull eyes.
He sees darkness
before the darkness is seen.

A sunflower is
placed to replace his face.

We are gathered, watching.

We know what is to happen.

We know what is to happen
then.

As the moon
starts its
slide onto the sun
a brazier is lit. As it
continues to drift
twelve torches
set in a circle
around the altar
are set alight. & as
the moon
passes fully
across the sun
hiding it
like an apple
poised before
a man's face
a priest wearing
the skin of an ocelot
which marks him
as coming from
the same family
slices the boy open
from throat to un-
descended testicles,
rips out his entrails
& casts them
into the brazier.

It is done quickly. The
heart is still beating.

It is done so
we hear the first spatter of fat

just before
a fingernail of light shows

the sun is being born again,
the boy is dead.