was promised. Music in
various colors, smoke
of various sorts, a
subsequent disconnect
between limbs & mind —
while at the same time
both feel amazingly
intertwined. Living in
La La Land isn't
art, it is artifice.
an on-going series of poems inspired by the great Belgian painter
Having been told that
the next digital revolution
would come about by
finding a cornerstone to
act as a key to decode
your name, then trans-
posing those numbers
onto your face so as to
explore your relationship
with your spirit animal,
Magritte tried it out &
came up with nothing.
Renaissance is alive &
thriving this year. No-
thing else to touch it for
style or energy. Disassembled
birds—hallucinatory, peri-
lous as a minefield—set
faces to grimace, then set
out to create epic doom
metal albums from flat
unpolished non-metal
surfaces that carry no
images of the world
around yet still reflect
the importance of set-
ting up a mise-en-scène.
Escheresque. Is there
such a word? The top
definition of crapaud,
a word characterized by
explorations of infinity,
architecture, & tessel-
lation, is toad or frog.
Jigsaw pieces as far as
the eye can see. Each
is folded in half & the
folded edges are placed
together. Hidden in
the basement, remixed
with a forest, & topped by
the sea. Visible from a t-
shirt. Fit for a paradox.
The apple has
rolled down the
bas-relief & left a
stain. Or maybe the
sculpture has wept
tears of blood &
dried them with
the apple. I can't
recall what really
happened. Perhaps
a sip of water might
refresh my memory.
The present is a house that
has only windows. A thin
roof. No rooms. The sun
is cut in half by a cloud
passing across its face, re-
calling Bunuel. Is that a
pond with flowers in it? I
walk down to pick some,
carry them inside. The past is
a finger testing &/or tasting
the light. Elsewhere a cloud
passes across the moon. The
present is a vase of flowers in-
side a house surrounded by a
garden made foggy by autumn.